In the Indian culture, cooperation had been achieved, with women dominating men. In the Chinese/Japanese culture, there is a reversal in gender control of the dominant position.

Men are in the authority position. This is what is dramatized in this sculpture. The image of the master man is that of a dragon, made of augers inserted in a system of wheels, with prominent facial characteristics and a double plow in his rear. He is overpowering the woman, a tiny respectful Geisha. The massive dragon symbolizes the synergy of cooperation of the culture to the male authority. This predicament of women is also conveyed by Chinese women's feet being bound; the woman's role is to be compliant.

Next to the little Geisha sculpture by Barbara Kaufman is the engine block of a Japanese car, to present the triumph of Japanese productivity leading to the generation of little dragons. Something clearly unresolved in this culture is the lack of mutual respect between the genders.